Hamlet, a central text not only of the Shakespearean canon but Western culture generally has travelled in translation worldwide; yet, as Laura Bohannan reminds us in "Shakespeare in the Bush", the oft-cited universality of the story may not be more than a myth. There are many Hamlets, and rather than straightforward replicas of the original (indeed, which one?) they are texts that carry traces of their own time and place. Hamlets in different tongues may be seen as significant memory-places and multi-layered palimpsests. This volume is interested in shedding light on the many hues and refractions Hamlet gains in translation and, at the same time, reasons for its transcultural presence as cultural capital.

Contributions are welcome on any aspect of translating Hamlet, primarily in interlingual contexts (theatrical, literary, scholarly, retranslations, dramaturgical adjustments, surtitling productions, translations in manuscripts as well as those canonised and constantly re-edited, translations from English as well as from relay languages or indeed translation from English into English, nontranslation or a lack of translation). Different approaches will be considered: contextualised case studies (contemporary and historical), overviews focusing on a particular national culture, comparative articles, insights into language history, style and translation norms through Hamlet, gender- or social-class oriented analyses, character-based, scene-based or motif-based approaches, theoretical explorations, practitioners\' reflections, and so on.

Please email a 300 word abstract accompanied by a short biographical note to the editor, Márta Minier, by 15 November 2013 toThis email address is being protected from spambots. You need JavaScript enabled to view it. and This email address is being protected from spambots. You need JavaScript enabled to view it..
If you have any questions please do not hesitate to contact the editor.